Project focus - Developed a digital communication strategy to help teachers and students understand and participate in a program that teaches Indonesian language through films.
The Problem - Interest existed, but participation was inconsistent. Teachers needed clear practical information — how the program worked, what students would learn, and what preparation was required — before committing class time. Without structured communication, they hesitated to join.
My Role - Designed the participation experience end-to-end: program concept, learning resources, communication, and teacher guidance.
What I Did
Structured information explaining how the program works
Translated operational details into simple participation steps
Created teacher-focused content explaining learning value
Planned regular updates across email and social channels
Reduced repeated clarification questions
Key Decisions
Prioritised explanation over marketing language
Provided predictable communication timing
Focused on practical participation requirements
Supported teachers’ planning and confidence
Outcome
Teachers could run discussions without extra preparation
Students participated more confidently
Schools adopted and recommended the program
Find the strategy here
"I design communication as part of a service — helping people understand, trust and take action."
An idea emerged 💡— learning through film.
Working with the Bahasa Indonesia Teachers’ Association (VILTA) and Bioskop Australia, Reeya coordinated student film screenings across metropolitan Melbourne and regional Victoria through the bio.EDU program.
Reeya led the bio.EDU screenings for student from various schools in Victoria, Australia
SUPPORTING THE CLASSROOM
bio.EDU learning plan strategy
by REEYA ARDINI
To support participation, Reeya developed a Participation Guide so teachers could run classroom discussions confidently without additional preparation.
COMMUNICATION THAT ENABLED PARTICIPATION
For schools, joining a program depends on both motivation and clarity — teachers and students need to understand why the activity is worthwhile and how to take part.
Reeya led the program’s digital communication across Facebook, Instagram and email newsletters (scheduled via Hootsuite and Mailchimp). Communication focused on helping teachers evaluate and use the program. Each film was introduced through short posts explaining the storyline, cultural themes and classroom discussion angles, alongside clear participation instructions. The communication therefore served two purposes. It helped teachers and students see the value of the activity — what language, cultural insights and discussion topics could be explored — while also providing practical participation details such as registration, preparation and what to expect on the day.
By combining relevance with clear instructions, teachers were more confident incorporating the program into their lessons and repeated clarification questions were reduced.
Working closely with the Bioskop Australia team, who imported the films and coordinated cinema logistics across locations, the program expanded beyond the initial screenings. With reliable operational support and consistent communication, schools from Western Australia, the ACT, Victoria and Tasmania joined through teacher networks.
As information became clearer, participation grew.
The project showed that participation improves when people understand what to do and feel supported. Clear communication and structured guidance allowed schools to adopt the program and recommend it to others.